One thing... NAEA 2013

I have never been to a National Art Education Association Conference. Now that I have, I can completely understand why people go back year after year, saving up their dollars to try and make it happen. It was a great experience with wonderful presenters, sessions, and workshops and time to speak and learn with teachers from across the country.

Although there is plenty to share from the conference, I am still trying to process through it all. So, instead of giving every last detail I am going to select an image and share the big idea from the presenter/workshop/session. I hope to have time to delve a little deeper into some of the themes I am going to share, but I think this is a good starting point:

Craig Roland, Ian Sands, Tricia Fuglestad, and Elizabeth Delacruz presented on being a part of a PLN (Professional Learning Network) through the use of online tools.Big Take-away: Being Connected allows you the chance to share and learn from anyone at anytime and grow professionally. 

One of the many stations in the Vendor Hall.Big Take-away: There were lots of chances to try out new and interesting materials - Apparently they make such a thing as watercolor  crayons! 

Teachers sharing about the Heart Houses/Haiti Houses projects.
Big Take-away: It is important to connect with teachers from around the country to see how they work with similar or different ideas, materials, and teaching situations.  

Ian Sands and Robert Sandagata's presentation on New Weird Ideas.
Big Take-away: Failure and risk-taking are a part of being creative and making art; do not be afraid to allow your students this opportunity in the pursuit of making something new.

Transfer Printmaking

Learning about monoprinting with Julia Healy.

Big Take-away: Interesting process to create portraits and investigate people's histories within a community.

Jesus Moroles speaks about his work as a sculptor.
Big Take-away: People don't know what they want; it is the job of the artist to show them.

Discussion with Wayne White, artist featured in the documentary "Beauty is Embarrassing".
Big Take-away: Art should flow between media - a sculpture is a drawing, a drawing is a painting, a painting is a puppet, a puppet is a performance - and it is all connected to experiences. 

Michael Reyes with his High School Art Teacher who entered his work that received a National Scholastic Award.
Big Take-away: Art teachers have the power to change people's lives and help them realize the power they have within. 

Brandon Foy spoke about how his National Gold medal from Scholastic changed his life and prepared him for his future as an artist and creative.
Big Take-away: Don't be afraid to work hard and put yourself out there; his viral YouTube video landed him a job with Microsoft in his early 20s.

New Leadership team for the NAEA
Big Take-away: There are a lot of exciting things to look forward with NAEA - including the next conference in San Diego, 2014!

If you have a favorite moment from the 2013 conference, please share below with a link to images/posts/resources. What did you think of the event? What were some of the things you learned and how will they help you back in your classroom?

Showcasing Student Work

Artist Name: Krystan Iazzetto
School: New Buffalo High School

Winter brings with it many things - snowflakes, hot chocolate, holiday breaks, and of course Art Competitions. It seems that this time of year is when students start to get into the groove of making their best works and teachers are making the tough choices of which pieces best represent their school in annual events like the Scholastic Art and Writing Awards.

If you went to Diane Heath's presentation on Scholastic to AP Portfolio's at this year's MAEA Conference, you would have seen how this teacher uses the opportunities offered through student competition to showcase student work and push students to achieve their highest potential. As a result of participating in programs like the Scholastic Art and Writing Awards, her students have high standards and expectations for their work and her program has built a prestigious level of respect.

The Scholastic Art and Writing Awards is only offered for students grades 7-12, but there are many opportunities for students of all levels to be showcased in Michigan and beyond. To help organize these opportunities, I created a LiveBinder of various sites that hold competitions. Some have passed, like Sooper Yooper which corresponds with ArtPrize in the Fall; others are fast approaching, like the Cray-Pas Wonderful Colorful World Contest due December 9th.There are also various events to showcase students that are still yet to come in the Spring, like the Region shows and the Governor's traveling show as well as shows celebrating Youth Arts Month.

If you are interested in showcasing work beyond the walls of your school building, you can also participate in Artsonia, the largest online gallery of student work.This resource allows students to share their work with family and friends, build and maintain an online gallery over the course of their school career, as well as raise funds for the art classroom.

Whether you are a seasoned veteran or have never done anything like this at all, we can all agree that our main concern and focus is offering opportunities for students to shine. What are some of the annual events that you participate in to showcase students?

In Gratitude: Who Are You Thankful For?

One of my favorite moments at the 2011 MAEA Conference was the Awards Ceremony acceptance speech given by Barbara Rensenhouse. Barbara received the MAEA Distinguished Service Award. She has been a mentor for innumerable art teachers over her many years at Western Michigan University. Retired in 1991, she is well up in age but her words were sharp and on the mark as she urged us to affirm others for their work in the field. As we were honoring her, she was urging us to honor others.

This week I came across an article in the September issue of Art Education (the NAEA Journal) by Elizabeth Delacruz. She too, was giving an acceptance speech for an award, receiving the 2011 Ziegfeld award. In this speech, she lays out four frameworks to guide our thinking as art educators. What resonated with me was her idea that we should “take on an entrepreneurial disposition, referring to both an outlook and a cluster of behaviors. This ability:

• to understand particular needs in particular contexts
• to discern meaningful patterns
• to think big
• to innovate
• to envision something new and useful
• to conceptualize, design, and carry forward concrete plans of action with specific intended outcomes.

These are the skills and dispositions we hope to foster in our students.” These are 21^st Century Skills.

Also recognized at the 2011 Conference was Kim Cairy, outgoing MAEA president, who was honored as the MAEA Middle Level and overall Art Educator of the Year. In her tenure as President, Kim embodied these dispositions. She is an exceptional leader. I have been so impressed with her. She is a parent, a teacher and a leader. She moves easily from one role to the other. When she first came into office I still remember receiving a card that she had hand-made urging us to think outside of the box. She is a big thinker and an innovator, yet humble and personally attentive to others’ needs. Thank you, Kim, for giving so much of yourself to the organization.

Who has influenced you in your art teaching and thinking? A mentor teacher or college professor? Someone you’ve never met but whose books or blogs you avidly read? Who do you want to thank?

During this season of Thanksgiving, please take the time to comment below and honor those who have helped shape you as an artist/educator, thanking them for their influence and help.